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Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Leonardo) de Steve (Brunel University) Dixon

Descripción - Reseña del editor The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the 'extratemporal' illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance-including what he calls postmodernism's denial of the new-and offers a series of boldly original arguments in their place. Biografía del autor Steve Dixon is President of LASALLE College of the Arts, Singapore.

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Detalles del Libro

• Name: Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Leonardo)
  
• Autor: Steve (Brunel University) Dixon
  
• Categoria: Libros,Arte, cine y fotografía,Otros soportes y técnicas
  
• Tamaño del archivo: 7 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

LIBRO Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Leonardo) de Steve (Brunel University) Dixon PDF ePub

Poética y performatividad de los dispositivos multimedia y the arts and sciences converge through new approaches to theory and practice that borrow from and feed each other, an osmosis where scientific models increasingly enrich the arts and creative, imaginative processes influence the sciences, dixon, s, digital performance a history of new media in theater, dance, performance art, and installation Digital performance arteca the past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on cdrom, and on the web Marcellí antúnez roca wikipedia, la enciclopedia libre digital performance a history of new media in theater, dance, performance art, and installation cambridgelondon the mit press pp 321327 isbn 9780262042352 salabert, pere 2009 el cuerpo es el sueño de la razón y la inspiración una serpiente enfurecida marcellí antúnez roca cara y contracara murcia cendeac

Digital performance leonardo the past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on cdrom, and on the web Performance wikipedia, la enciclopedia libre una performance es una obra de arte o muestra artística creada a través de acciones realizadas por el artista u otros participantes, pudiendo ser en vivo, documentadas, espontáneas o escritas, presentada a un público dentro de un contexto de bellas artes, tradicionalmente interdisciplinario 1 la performance, también conocida como acción artística, se ha desarrollado a lo largo de los Digital performance a history of new media in theater digital performance a history of new media in theater, dance, performance art, and installation leonardo dixon, steve on free shipping on qualifying offers digital performance a history of new media in theater, dance, performance art, and installation leonardo